“Since I moved to BC I´ve been working on a new series called Counterpoint, where I present a contrast between the urban and natural landscapes to create open questions and metaphors on the way we observe and define the relationship between these two spaces…”

Interview By Fances Litman.
”I am interested in creating art that gives way to question the ways in which we interact with our surroundings and understand our realities. What captivates me the most are the ever-changing landscapes…”

“On a Third floor, next to China Town in downtown Mexico City, there’s a small room full of paints, canvases, brushes and lots of blue tape. It is the studio of the Mexican painter Diego Narvaez…”

“To start a career as an artist, you have to listen to the inner call and to some that takes a long time, while others have known it since they were children…”

First Award, Luis Nishizawa Biennial.

“Diego Narváez and Eric Alejandro Pérez rose as winners in their different categories. In February, the 59 selected works will be exhibited..”

Un vistazo por la exposición individual presentada en el Museo Anahuacalli, Paisaje en Transformación.

A quick view of the solo show presented in Anahuacalli Museum, Landscape in Transformation.

“I did not know I wanted to dedicate to arte, when I was in highschool. I did’nt even know what I was going to study and after ending school I decided to backpack through Europe to look for an answer.”

Image for the front cover of the book The Days with Mona by author Joserra Ortiz, Tierra Adentro Publisher.

Review of the exhibition Visions of the Ineffable in the Cultural Center of Contemporary Mexico.
“The Mexican artist, Diego Narvaez, has dedicated the last years, to explore landscape painting…”

“ Mexican Painter, Diego Narváez, talks with us about his work and technique used to paint landscapes. Join us for the complete process of making a painting of the buildingh where his studio is located...”

Texto sobre la exposición Realidades Compartidas en el Banco de México por Avelina Lésper.

“He is a sensation seeker of landscape. He travelled to Antarctica to paint with 22 hours of natural light and wind bursts of 70 km/hr because he needed to see, feel and live the temperature, the atmoshpere, the “mesmerizing blues” and the snow of the end of the world.”

Publicación realizada por Apapacho Gallery en torno a las residencias que realicé en Islandia.

“The unreflective gaze of the passerby, unaware of the aesthetic possibilities of their context, is the object referred to in Narváez's paintings; who through his work, seeks to reestablish the conscious encounter between the spectator / passer-by and the landscape…”

Catálogo de la exposición en a galería Aldama Fine Art.

“The most essential relationship between painting and LandArt is landscape. The ways in which each one addresses landscape are different, but in some cases they have coincidences, just as…”

Web page of SUR POLAR, Art Residency in Argentinean Antarcitc Bases